Thursday, December 3, 2015

Kristina Razoumova-Plato's Theory of Forms

Plato’s Theory of Forms
Reading 
Written on 9/9/15

Based on our reading in class we went over Plato’s Myth of the Cave and how it leads to reality being divided into universals and particulars. Plato believed that the Ultimate Form was when the Good and the Beautiful come together. Thus, art was seen as imitating a copy of a copy. This theory often has a negative connotation to it as I have experienced in other courses. It is frequently argued this theory proposes a problem to the physical world because if what is real in the metaphysical the physical doesn’t necessarily matter. Therefore, people can stop caring about everything physical including their own body. However, I would like to argue that this is a more simplistic view of Plato. I believe he holds the real to be eternal and unchangeable by the physical world and physical objects don’t compare to the metaphysical. They may hold meaning of the reality in the metaphysical but they themselves cannot reach that state of perfection. Take for example a wedding ring. The ring represents love. If the ring were to get broken, then would the love merely disappear? Of course not. The ring itself is an object the love it represents is more real than any ring that can be found in this world. While this is a very basic view of the significance of Plato’s Theory, it does give a reference point of understanding.  For Plato the ultimate good is that which cannot be duplicated in the physical world. That is why art is seen as a negative for him. If the truth is in the metaphysical and the material world is the physical, then the outcome of our experiences here in the material world; art, is a receptacle and is incapable of holding true beauty.



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